For fun, let’s kick off the upcoming Halloween season with a study of classic monsters. To be clear, I’m talking monster as in fictional monsters. All kinds of real monsters exist. And some of the most horrifying monsters are the human kind. I am not referring to those types, but to the type born from the imagination. Nor am I referring to the blood and guts, slasher types of horror monsters. They have their place but not here.
In upcoming blog posts, we will attempt to formulate a methodology for creating a classic monster.
The most memorable monsters are on a loop and are continually being resurrected on the big screen, like the attempt of Universal to reboot such classic movie monsters as Dracula, The Mummy, Wolf Man, and Frankenstein.
Yet, I work with writers everyday with incredible writing skills as well as mind-blowing imaginations. I think it’s time for some new monsters. I’m not saying to forget the classics. They are irreplaceable. But I would like to see some fresh material with the same timeless qualities as Frankenstein, Dracula, Wolfman, and The Mummy.
How Do We Create a New Monster?
Let’s play Dr. Frankenstein and create a New Monster. First, three questions must be answered.
1. What makes a monster classic?
2. Is it possible to create a monster today that will survive reanimation over the ages?
3. Do we have any modern-day monsters that you think will survive centuries like the Big Four classics have done?
Guidelines for Our Monster Search
For our Probe into monsters, I’ve listed a couple of guidelines.
- Creating a monster does not include aliens, zombies, dinosaurs, or dragons. (We will explore some of these in later blogs.)
- Must be a monster born of the imagination.
- Our creation would likely be found in literature, a legend, a myth, a horror fiction or film, or a fantasy.
To aid in the collection of research, we will analyze the Big Four classic monsters in separate blogs.
Frankenstein Is Up First
Brief plot line, because we all know the story. Right?
Scientist Victor Frankenstein, in his desire to impart life to dead things, creates a monster from pieces of cadavers. Instead of the beautiful creation he dreamed, the vision is horrid. He rejects it, and the creature vanishes. In the monster’s attempt to be accepted—to have a life—it burns, kills, and/or threatens his creator and anyone who crosses his path.
Born from the intellectual genius of eighteen-year-old Mary Shelly, an English author, Frankenstein (or The Modern Prometheus) survives even today though he is almost 200 years old. The monster was the result of a competition between Mary Shelly, her husband Percy Shelly, and one of Britain’s greatest poets, Lord Byron. Also, involved in the competition was John Polidori, English writer, physician, and author of The Vampyre.
Shelly thought for days before imagining a scientist who created life and who was horrified by what he’d made. Frankenstein is regarded by some as the first true Science Fiction story.
Who could write the best horror story?
Mary won and published Frankenstein anonymously in 1818. The second edition displayed her name and was published in 1821 in Paris. Though initial critical reception was not positive, it became an immediate popular success.
Things haven’t changed much. Just look at the Oscars or the New York Bestseller list. Has a monster ever been nominated for an Oscar or included in the NYBL? Though monsters intrigue the masses, rarely do they get the recognition they deserve.
Frankenstein is often called the monster with no name, or The Thing Without A Name (Stephen King, 1981, Danse Macbre). He is called this because the fictional character, Victor Frankenstein, rejects his monster and in doing so does not name him, but instead refers to him as abhorred devil, vile insect, fiend. Victor played God and his creation was so repulsive to him he couldn’t name it.
- He must be created from the imagination of a writer and/or storyteller.
- The monster should be so depraved—in actions or appearance or both—that society and even his maker reject him and try to destroy him. This gives the monster something with which we as humans can empathize.
- His detestability is derived from something unnatural like the dead coming back to life, the undead, or being composed of the parts of numerous dead people.
ProbeNote #1: In the first known screen version of Frankenstein, actor Charles Stanton Ogle played the monster. The film lasted ten minutes and was produced by Edison Company. Thought to be a lost film, it was rediscovered in 1970.
ProbeNote #2: The Vulcan salute: Live Long and Prosper sounds hauntingly similar to the ending of Mary Shelley’s introduction in her 1831 version of Frankenstein.“And now, once again, I bid my hideous progeny go forth and prosper.”
(Live Long and Prosper, Leonard Nimoy. You are missed.)
ProbeNote #3: Entwined with Gothic Horror and the Romantic movement, Frankenstein is considered to be one of the earliest examples of science fiction. The eery thing about science fiction is its uncanny ability to predict the future. Today, we have organ transplants and organ donation that often result in extended life for our loved ones. A far cry from Frankenstein, you say. Perhaps, but…I’m sure Mary Shelley never dreamed of the possibilities her tale of Gothic horror might render.
What are your thoughts on the creation of a monster? What does it take to be a classic monster? I’d love to hear them.
I will be analyzing the Big Four, plus maybe The Creeper from the movie Jeepers Creepers. To me Creeper is our most recent classic monster to hit the screen. Do you have any suggestions or additions?
Scholars, psychologists, and scientists don’t agree on why there are those of us who enjoy monster movies. I enjoy them because they allow me to escape from real life and its very real threats. Why do you like them?